Kirkus Reviews
Journalist Horan's debut novel reflects her fascination with the brilliant, erratic architect Frank Lloyd Wright and his scandalous love affair with a married woman and mother of two. The book capitalizes on Horan's research into both the architect's private and professional lives. The story opens when Mamah (pronounced May-Muh) Cheney, an Oak Park, Ill., woman, and her husband Edwin, a successful local businessman, contract with Frank to build their new home. Although both Frank and Mamah are married and seem content, the architect and his female client soon find they not only like being together-they must be together. Mamah, an early feminist longing for a more meaningful life, succumbs to Frank's charms as the two enter an affair that is both physical and spiritual. Soon, their relationship is the hook for all of Oak Park's gossip. After leaving their spouses, the pair flees to Europe, finding delight in a less- disapproving continental society, as well as an outlet for their cultural pursuits. Frank, father of the "prairie style" of architecture, proves a thoughtless and irresponsible businessman, but Mamah remains by his side until the couple finally quits Europe and returns home. There, Frank builds a home they call Taliesin. Eventually, Mamah makes peace with her former husband and her two children-son John and daughter Martha-who visit her at the rural estate. However, Frank's wife, Catherine, adamantly continues her refusal to grant her husband a divorce. But just when it appears that their relationship problems have lessened, a terrible and unanticipated tragedy strikes and changes forever the lives of the two lovers who were forbidden to marry. Lovers Frank and Mamah fail to generate sympathy, and the story closes with the unsubtle reminder that real life is never quite as tidy as fiction.

Kirkus Reviews

How the author's family invented Sweet'N Low, got rich, collapsed in scandal and set him free by disinheritance. The first and best section of this haphazard book by Cohen (Machers and Rockers, 2004, etc.) follows the rise of his grandfather, Ben Eisenstadt, born in New York in 1906 to Polish-Jewish immigrant parents. Eisenstadt supplemented his slow-going law career by opening a diner across from the Brooklyn Navy Yard. It boomed with the war years, then went bust, so he opened a factory in which loose tea was packed into tea bags. Thinking the technique might be adapted to sugar, he suggested the idea to sugar companies, who thanked the naive, patent-less inventor and started making the packets themselves. Only later did Ben and his son Marvin turn saccharin into Sweet'N Low, the sugar substitute that would take the world by storm. mob-associated guys who liked to bill the company for the construction of their mansions. Cohen's wing of the family was disinherited after a dramatic and truly ugly fight about a will presided over by Aunt Gladys, a misanthropic shut-in who wielded frightening powers via telephone and fax. Cohen can't quite decide what kind of book he's writing: He offers a mini-history of sugar here, confusing family history there. But at its best, sardonically dissecting an unlikely success, it spins gold. A cracked family saga and an ode to Brooklyn, that incubator of immigrants and ideas.

Kirkus Reviews
A Russian Jewish woman's struggles to survive in America, then recapture the past brutally stolen from her, are recorded with eloquent compression in this striking second novel from NBA nominee Bloom (Normal: Transsexual CEOs, Crossdressing Cops, and Hermaphrodites with Attitude, 2002, etc.). In a brisk narrative of the events of two crowded years (1924-26), we encounter immigrant Lillian Leyb working as a seamstress on New York's Lower East Side, and becoming mistress to both theater owner Reuben Burstein and his homosexual son Meyer (a popular matinee idol). Lillian's stoicism masks the terror that haunts her in recurring dreams-of the massacre of her family by "goyim" revenging themselves on Jews sharing the meager resources of their village (Turov) and of the reported subsequent death of her beloved daughter Sophie. When another relative newly arrived in America reports that Sophie lives (having been rescued by a family that moved on to Siberia), Lillian embarks on a complex pilgrimage that takes her to Seattle and points north. She survives being robbed and beaten, bonds with a resourceful black prostitute, is sent for her own safety to a women's work farm by the one man (widowed constable Arthur Gilpin) who seems not to have sexual designs on her, then makes her way across the Yukon to the Alaskan coast, encountering a refugee exiled following an accidental killing, John Bishop, who will be either her last best hope of finding Sophie or the alternative to a life of ceaseless wandering and suffering. Summary doesn't do justice to this compact epic's richness of episode and characterization, nor to the exemplary skill with which Bloom increases her story's resonance through dramaticforeshadowing of what lies ahead for her grifters and whores and romantic visionaries and stubborn, hard-bitten adventurers. Echoes of Ragtime, Cold Mountain and Irving Howe's World of Our Fathers, in an amazingly dense, impressively original novel. Agent: Phyllis Wender/Rosenstone/Wender